Gießen in die verlorene Form

Using the methods of filmmaking, I tried to trace my grandfather, the artist and glassmaker Bernhard Schagemann (* 1933, † 2016). The viscous state of hot glass, in which it is malleable, illustrates the temporal limitation imposed by the material, which also exists in (analog) film. In the titular sand casting technique, which Bernhard Schagemann preferred to use for sculpture...